Guitar Practice Session 1 – The I IV V Progression in C major
The I IV V progression is no doubt the most common chord progression. It’s been used for years and is still used today in thousands of songs in virtually all genres. In this session we are going to get used to the chord tones on the top three strings in one position. Keep it slow, don’t try to learn too much too fast or it will take you longer.
The Chord progression is looped C / G / F / C / and we will stay as close to third position (third fret) as possible with our soloing notes. In fact, try not to play a solo as such, think more about melody instead, this will get you hearing it much better.
The most likely scale you could use to solo over this chord progression is C major. We are only interested in playing the chord tones for now but always take note of the relationship of the chord tones relative to the CAGED chords and major scale notes as well as each chords own scale spelling, I.e. 1-3-5 for major triads. These are all shown in the diagrams but be sure not to overlook any of it otherwise you will be missing the point of what you are trying to achieve.
The Chord tones for each chord.
- C Major: C E G
- F Major: F A C
- G Major: G B D
The Chord tones and scale spellings (intervals) for C, F and G major chords.
The chord tones above are segments taken from these common chord positions. Remember, the I IV V chords in C major are C, F and G and we want to keep everything close as possible to the C major scale based around the third fret.
Study these diagrams and think about the relationship between them all while you are playing along to the practice track.
Here are a couple of examples of how you can play about with them. Start out by just repeating the patterns over the chord changes like in example 1 to get used to them.
Once you can play through the patterns without stopping to think, you can then try to get a bit more musical with them. We’re not looking to do anything special here, just concentrate on your practice and try to keep changes smooth between the chords. The ultimate goals are to keep a short distance as possible between the changes, in other words try to think about the changes before they occur so that you can be prepared and only a fret or two away from a chord tone when the chord change happens.
Don’t allow yourself to be put off because you are playing elevator music. If you try to do these examples at 3000bpm then your just going to make it harder and take longer. Slow down, keep it simple and start digging that country sound! 🙂
Example 1 TAB
Example 2 TAB